Mormor

When filmmaker Lucien Easton moves in with his 97 year old grandmother Bibi, their days together unfold like an unspoken dialogue shaped by memories, silences and the quiet awareness that time is slipping away. As Lucien directs his grandmother from behind the camera, a delicate intimacy forms between them – one that blurs the line between the roles of filmmaker and subject. As memories begin to slip and ghosts appear, the boundaries between memory and dream, reality and illusion, dissolve.